Monthly Archives: October 2015

Book Review: What to Think About Machines That Think

Intelligentsia impresario John Brockman has done an admirable job of assembling some very impressive thinkers for his web site Edge.org. Although most are scientists, there is a fair number of people from the other estates, and the cross-fertilisation of ideas frequently draws even hardened specialists out of their shells, to make pronouncements on things well outside their fields of expertise.

Hal and Dave
Hal and Dave

Although this is not always a good thing, it does make entertaining, stimulating discussion, and I can recommend the site wholeheartedly.

Every year Brockman sets a current question to his group (whose members are, cringingly, called “Edgies”), and turns the resulting answers into a book. This year’s question, and the book’s title, is “What do You Think About Machines That Think?”

The responses, which take the form of short essays, are only very roughly organized by theme. These themes bleed slowly from one to another, without dividing section headings. This provides a surprisingly effective minimalist structure to the book, hinting at emergent concepts that transcend the distinct points made by individual authors.

There are so many excellent ideas presented in the book, that I can recommend it, too, without reservation. So rather than write a normal critical review here, I thought it would be more useful to look at these themes, especially how the thinkers have thought through them, rather than just analyse what they’ve written. From this we can glean a lot about the state of the fields of AI and machine intelligence.

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Beethoven’s String Quartet No. 14, Opus 131 I

In 1826, a year before his death, Ludwig van Beethoven completed his string quartet number 14 in C# minor, opus 131.

Although it was not well received by the general public upon its first performance, a rather large number of quite significant musicians seem to have thought highly of it in their time.

Beethoven String Quartet 14, Opus 131, first movement

Beethoven String Quartet 14, Opus 131, first movement

When Schubert first heard the piece, he is reported to have said, “After this, what is left for us to write?” And as he lay dying, a year after Beethoven’s own death, Schubert asked for it to be played, and his closest friends obliged him. It was very possibly the last piece of music Schubert heard in his life.

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